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FOR THE BOY

What you are, Child, is the moon

 

A great, fat, bright thing

but a wriggling moon, a dribbling moon

a moon with butter toes and anemone lashes

a moon with custard brow

with sea glass eyes and seashell fists.

What you are, Child, is the moon

just a perfectly ordinary thing

 

Just a marvel at which I gaze.

QUEEN ST
SENRYU

Cold on the concrete

under Louboutin’s window

he dreams of new shoes.

AFTER THE WAR; or, THE PARK WE LOVED

There is a mosh pit of daffodils

slamming and swirling around a crusty trunk;

a peek of white tipped kinks on the horizon;

a mist the wind will not let fall;

an hour of mortality and separation

that strokes our fragile flesh;

a bomb locker, long forgotten;

and a pleasant chill at Hawthornden Reserve.

RUSSIAN CORIANDER
First published in Tales from Dominion Road

It's raining...

Let's have a threesome!

You, me and Clive Christian

in the back row of the Capitol.

Give me exactly seventeen deep breaths

against the nape of your neck

that forbidden space

seen by all who meet you

but known by me alone.

Ronnie's boy

or the girl scooping popcorn

they don't know the scratch of your stubble.

They're not held captive by the mineness

of iris and amber.

So, take your seat

away from the smudged reflection of tail-lights

away from the scent of petrichor and noodles

and allow me aspiration.

Come, Lover,

let's have a threesome.

You, me and Clive Christian

in the back row of the Capitol.

RADISHES
First published in Gramercy Review

A single diaphanous breath, entrusted to the tides,

dodges ships and sharks, pollution and phantom-like jellyfish.

 

Reaching land, it runs many miles through the aquifers,

beneath rocky canyons and verdant fields.

 

Turned to steam, it will rise up through some subway grate

to surprise you in Tucker Square, where you are contemplating radishes.

 

You will feel it on your cheek, a mere drop of humidity

as warm and as wet as the lips of a woman you used to know.

LEVITY

Pōhutukawa needles,

vermilion as valentines,

are less due a comparison to our love

for their amorous hue.

Rather, it is their levity.

In an instant, they abandon

their tree for unknown winds.

As light as the needles on summer's quick breath

hangs the harmony of us,

faithlessly awaiting flight.

THE EIGHTH WONDER

I have a vial of something — chalk, maybe —

bought by a gullible ancestor,

supposedly a sample from Te Otukapuarangi,

the fountain of the clouded sky.

 

I picture the charlatan who sold it

with a well groomed moustache

and an impressive hat.

 

The vial has been passed down

quietly — faithfully —

through the generations,

just like noble blood,

long ears,

and alcoholism.

 

I keep it with my treasures:

Nana’s teacups, a medal,

a pewter goblet,

and this hopeful, worthless dust.

MOTU
First published in Tales of the Hauraki Gulf

“You” dwells between sleep and awake;

between sound and silence.

“You” is the break and the swell;

the scream and the lullaby.

 

Ungraspable and ill-defined, just like me.

 

“We” drifted the tide of our many lives,

creating hope from hopeless histories.

Floating between hauora and hell,

“We” was the fever in which I longed to dream.

 

Now, my love, I’m quite the realist.

 

Between us are all the great and little barriers.

Between us is a never-conceived son,

and grandchildren with molten chocolate eyes,

the dozen proposals that happened,

and the anniversaries that didn’t.  

 

Between us is beauty run rampant;

countless waltzing waves,

pōhutukawa needles, adrift on warm winds,

the wine we never drank,

the boat we never sailed,

the summer we never became.

 

I know now, my love, that I am Leigh

and you are Port Jackson.

 

We are the edges of the Gulf.

 

We share only tides these days,

and we’re both just fine, I guess…

 

Reaching toward each other

but not for each other,

always looking inward

united by what divides us.

HEART

With a felt tip pen

the barista drew

a love heart

on the plastic lid

of my soy latte.

 

A nice hot cuppa —

a frigid day improved.

 

I went the whole day

(the whole bloody day!)

unaware

of the broken heart

adorning my nose…

 

until I came home

where you could laugh at me.

 

That laugh! It warmed me

like no coffee could.

I love you.

I wish it could last —

this splendid winter.

EIGENGRAU

In evening fog, my outstretched arm marks vision’s end.

I gaze into the grey to no avail, hoping

to glimpse the intrinsic — the balustrade,

the persimmon tree, the fence post — I step slowly.

 

I count the stairs. Four, three, two, one.

I strain to see the magnolia’s fallen blooms,

once ballet pink, now treacherous brown and slick.

I descend with care, unsighted and uneasy.

 

Eigengrau, everywhere. I fumble with reality.

Balustrade, fruit tree, fence post, perilous petals.

I have no faith in possibility just now.

In this obscurity, I do not reach for your hand.

BREAK

Day cannot gently separate — it must break.

Each morning, darkness is torn

by a blaze of blush and gold

and a rush of birdsong.

 

Nature has a bent for the dramatic.

 

We, too, make much of separations.

Even as we unite, we come apart,

Russian-dolling each other,

trying to find something unasundered.

LICHEN, ACTUALLY

I almost lose myself

musing about the moss on the magnolia tree.

“It’s actually lichen,” you’d say.

You never liked too much alliteration.

 

I muse, then, about the lichen;

how it holds — sorry, clings — how green,

how seemingly soft — sorry — how it clusters

around old bough and opening bud.

 

It looks inelegant, but kind of swell

like I always felt in your presence.

 

A bee bumbles by with a dignified, interested air

but doesn’t pause to pollinate.

“Actually,” you’d say, “you’ll find that it’s beetles…”

 

I feel now, for you, like the bee for the bloom.

My unmade advances are not unrequited,

I’m simply invited to go by and go well.

 

So I do,

but I still think it looks kind of swell, actually

the moss on the magnolia tree.

THE HOUSE BESIDE TIROHIA MARAE

In the latent space before dawn

day gathers so patiently.

 

Colour waits

       to wash the hydrangeas.

Shape waits

       to trace the hedges.

Sound waits

       to fill the amphitheatre of pines.

 

Soon, the sun will come screaming

newborn again

over the plains.

 

Soon, there will be the burning of toast

the pouring of coffee

and the feeding of chickens.

 

Soon, bees will hum in the prolific pink rose bush

that, one day, will kill my father.

 

Just now, though

unknowing

I sit in the dark

at my parents' country home

listening to the day accumulate.

YELLOW

Dripping like yolks from the tree

kōwhai bloom above two, once so ardent

as they hurry to separate brunches

pretending not to see the other as they pass.

 

It will spoil their Eggs Benedict

and plague them both for weeks

this near-miss under a cacophony of flowers

the colour of hope or cowardice.

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